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MyPOST
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We have over 100 professional members: Post-Supervisors, Editors, Assistant Editors, Colorists, Sound Designers, Music Composers, VFX Artists, and Motion Graphic Artists based in Malaysia.





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ADVOCATING FOR THE CREATIVE INDUSTRY

POST PRODUCTION PROFESSIONALS ASSOCIATION or MyPOST is an exclusive professional association for post producers/supervisors, post-production personnel, film/video editors, colorists, sound editors/designers/mixers, post-production sound engineers, music editors, foley artists, animators, visual effects and motion graphics designers.

It is dedicated to support and advocate fair wages practice, a healthy conducive working environment and ethically good working conditions. MYPOST believes in the high merits of human values; being respectful, inclusive and acquires a high level of professional behavior in the television and motion picture industry.

MYPOST is educationally engraved as an association, it fosters a high quality of industry knowledge sharing with universities and colleges, providing up-to-date post-production technology and broadcast specifications to their members and organizing professional classes and seminars to the creative industry. MYPOST is a serious association that will LISTEN and ACT, in a justly manner for the betterment of the whole creative industry.

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OUR PILLARS

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Voice

To provide a clear voice for every professional in post-production in Malaysia.

Recognition

To give recognition to professional workers behind the scenes who involve work at the post-production stage.

Welfare

To look after the welfare & rights of members from time to time and be the voice representative to our members.

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Rate

To adjust the rate of payment received by each employee according to the level of experience.

Education

To assist in educating and harmonising post-production personnel to meet standards and exploring the landscape from the domestic level to the international level.

Standards

To act as an intermediary between publishing, production, and broadcasting companies, government and private for the purpose of harmonizing the latest digital content standards.

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OUR CLIENTS

ClientClientClientClientClientClientClientClientClientClient
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LEADERSHIP & ADVISORY

The committee members comprise of established intellectual individuals with vast experience in post-production. The quality of their portfolios is based on merits with awards garnered locally and internationally. Each committee members possess their own individual strength and wisdom that are unique, whereby their opinions and suggestions help contribute to the growth of MYPOST.

Meet the Committee

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Tc. Isazaly Isa (Chairman)

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Andy Alias
Deputy Chairman

Rosliana Roslie 
 Secretary


Nik Haslinda Hew
Treasurer





Mustaza Al Jafree
Assistant Treasurer


Damien Wu
Committee Member



Herman Shah
Committee Member



A Sanad Hassan
Committee Member


Ramdan Che Hassan
Committee Member



Zuli Ismail
 Assistant Secretary
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The Advisory Board

We are honoured to have these professionals to be part of our advisory board - to assist us in bringing MyPOST to further expand our network and communications to other countries.

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Klara Nilsson Grunning

Film Commissioner, Norwegian Film Institute

Klara Nilsson Grunning, was born 1971 in Seoul, South Korea. At eight months old, she was adopted to Lund, Sweden, where she grew up and lived through high school. She moved to Paris, France 1990 to study fine arts and in 1993 she continued at film school in San Francisco where she graduated with distinction, majoring in Motion Picture and Television.

With 25 years of experience in the film and TV industry she has gained an enormous experience and network internationally. Klara is an Emmy Award winning producer, cinematographer and director, and have produced film, documentaries, commercials, music videos and art installations. She has gained unique experience as a decisionmaker for content, co-production and artistic excellence; for nine years at ITVS in San Francisco and as VP of Distribution at Norwegian Kudos Family. 

After twenty years abroad, she returned to take an assignment as Film Commissioner at the Danish Film Institute and the Swedish film Institute for five years each. Presently she works as Film Commissioner at the Norwegian Film Institute, as a decision maker for documentary features, international co-productions, series and digital storytelling.

Nikolaos Chatzievangelou

Operations Manager/Head Of ENG & EFP – STAR Channel Greece Producer/Cinematographer

Born and raised in Athens, Greece. Nikolaos Chatzievangelou-Manalis or Nikos, comes from a family of highly decorated military tradition. In his early years he enlisted himself into the Greek Army – and was designated into the Marine Special Forces, whereby he was trained as a Diver and also mastering the art of underwater photography and videography.

At STAR Channel Greece, Nikos is the Operations Manager- Head of ENG & EFP. He is instrumental of the daily operations at STAR Channel for live, news and on the field production. He has hundredsof tv programs and shows to his credits with over 25 years of services at the tv station, since 2000. In addition to his work at Star Channel, he also works as a Director of Photography and Cameraman for feature films, tv commercials, music videos, documentaries, and corporate videos.

He co-founded Visual Storytellers Productions Greece, in 2023, And his recently produced and shot “Laluda”, won Best Documentary & Best Cinematography at the World Film Festival in Cannes. Some of his underwater cinematography credits are Healthy Seas, Europe/UNESCO – Operation Deep Blue Legacy Documentary Series. In 1996 he won Telly Award in Los Angeles as Lighting Director for short film “Blue Sun Yellow Moon”, directed by Jason Gino (now at The Grammys). He has worked as Gaffer/Electrician along-side his Director of Photography closed-friend, Haris Zambarloukos BSC, GSC (famous for Bettlejuice Bettlejuice, Thor, Mama Mia and many more). From 1998-2000 he was Cinematography & Lighting Design Instructor at Cinema School of Athens, Greece. 

Nikos is an ARRI Camera System Certified & also Certified Steadicam Operator. He studied Motion Picture & Television Production at the Academy of Art University, San Francisco 1997 and Cinematography at Cinema School of Athens, 1988 under Ministry of Culture & Sciences, Greece.

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POST-PRODUCTION TOOLS

Some applications created by our members for the post-production personnel use.

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Freelance Rate
Calculator

Standardize billing based on industry baselines.

Post-Production
 Calculator

Estimate storage and render times.

COMING SOON.

Box-Office
Calculator

Analyze returns and budget ratios.

COMING SOON.

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LATEST INDUSTRY NEWS

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Post-production & Filmmaking updates from around the world.

20 April 2026

MyPOST Alert: Video Assist App Update Supercharges Post-Production Workflows

The Video Assist iPad app just dropped a game-changing update, set to significantly streamline your post-production pipeline here in Malaysia. Film editors, colorists, audio engineers, and VFX artists, pay attention: the new release, unveiled at NAB 2026, introduces features directly impacting your efficiency and creative control.

A major win is the **expanded Metadata Extraction** for all RED cameras and Sony Venice. This means quicker project setups, precise shot data for editors, and critical lens information for VFX artists and colorists right from ingest. **Advanced Masks** offers on-set pre-visualization that translates directly to your workstation, enhancing roto and grading workflows. Additionally, new **VTR Reports** generated on set promise clearer communication and a smoother handover, reducing guesswork and manual data entry. Developed by a former VTR operator, this app is built for practical, real-world post-production demands.

20 April 2026

MyPOST Insight: Deconstructing 'Hail Mary's Post-Production Triumph

For Malaysian post-production professionals, the latest 'VFXShow 303' episode offers an invaluable deep dive into the smash-hit film, *Hail Mary*. This blockbuster adaptation, based on the popular novel, isn't just a box office success; it's a masterclass in the intricate artistry of post-production.

The discussion meticulously unpacks the visual effects wizardry that propelled *Hail Mary*'s ambitious narrative. This episode is essential viewing for VFX artists keen to refine their techniques, editors navigating complex visual integration, colorists aiming for cohesive cinematic palettes, and audio engineers crafting immersive soundscapes for major productions. Tune in for insights that will elevate your craft and inspire your next MyPOST project.

20 April 2026

MyPOST Insights: Securing Your Vision from Edit Suite to Screen

For Malaysian editors, colorists, audio engineers, and VFX artists, securing your creative work shouldn't be a gamble. This MyPOST feature highlights insights from the No Film School Podcast with Kino co-founders Brit MacRae and Daril Fannin, who address the critical flaws in the post-production to release pipeline.

They dissect how insecure screeners, fragmented feedback loops, and fear-driven distribution practices often undermine independent film projects. Kino introduces a robust B2B platform for secure dailies, cuts, approvals, and final delivery, directly tackling piracy and inefficient workflows. Discover how this innovative approach, exemplified by A24’s *Undertone*, champions aligning creative ambition with profitability, ensuring your meticulous work receives the protection and visibility it deserves. Streamline your process, safeguard your craft.

19 April 2026

Wowza's AI: Unlocking Live Video Potential for MyPOST

Attention MyPOST professionals! Wowza's groundbreaking Video Intelligence Framework, unveiled at NAB 2026, is set to redefine how we leverage live video content. Addressing the vast amount of valuable footage that typically goes "unused," this innovative, AI-driven system intelligently analyzes, tags, and catalogs live sports, events, and streaming media.

For film editors, imagine rapidly finding the perfect moment without endless scrubbing. Colorists could benefit from consistent metadata for identified scenes, streamlining grading workflows. Audio engineers gain precise context for sound sweetening, while VFX artists can quickly pinpoint specific instances for enhancement. This framework promises to transform unwieldy raw data into actionable, creatively rich assets, significantly boosting efficiency and opening new avenues for content repurposing and monetization within the Malaysian post-production industry.

19 April 2026

Mastering AI Video: A MyPOST Professional's First Look

The landscape of post-production is rapidly evolving, with Artificial Intelligence emerging as a transformative force. For Malaysian film editors, colorists, audio engineers, and VFX artists, understanding the capabilities of AI video generators is no longer optional – it's crucial for staying competitive and expanding creative horizons.

This essential beginner's guide cuts through the noise, offering a clear roadmap to effectively utilise nascent AI video tools. Discover how these technologies can integrate into your workflow, unlock new possibilities, and prepare you for the future of digital content creation. Don't get left behind; empower your craft with AI.

19 April 2026

MyPOST Pro-Tip: Taming Action Camera Aliasing in Post

Action cameras are indispensable for dynamic shots, yet their inherent over-sharpening and aliasing often present significant challenges for post-production professionals. For editors integrating diverse footage, colorists striving for a seamless grade, and VFX artists needing clean plates, these visual artifacts compromise final quality and workflow efficiency.

This essential tutorial dives into practical techniques to mitigate unwanted sharpness and aliasing. Learn how to refine action camera footage, ensuring it blends seamlessly into your project, achieving the polished, professional look crucial for high-quality deliverables within the Malaysian post-production industry. Elevate your workflow and deliver visually superior results.

19 April 2026

MyPOST Spotlight: Frame.io Drive – Instant Media, Uninterrupted Creativity

Tired of your creative flow being derailed by file downloads, physical drive handoffs, or endless syncing? MyPOST is thrilled to spotlight Frame.io Drive, a game-changer designed to keep Malaysian post-production moving at the speed of thought.

For editors, colorists, audio engineers, and VFX artists, Frame.io Drive promises instant, unified access to all project media – from dailies and proxies to high-res masters. Say goodbye to frustrating delays between the shoot and the first edit, or waiting for crucial assets to sync. This revolutionary tool eliminates bottlenecks, ensuring seamless collaboration and real-time access to shared folders. Focus purely on your craft, enhance efficiency, and elevate your creative output without interruption. Your media, instantly, anywhere.

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OUR ACTIVITIES

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1st Annual General Meeting 2023

14 February 2023 @ ASWARA...

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Small Story, Big Impact Roadshow 2023

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Audio Restoration Workshop 2023

6-9 Mei 2023 @ UNIKL MIIT

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EIZO Global Ambassador Recognition Ceremony

17 September 2025 @ FINAS, Hulu Kelang, Pawagam Mini P.Ramlee

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JOIN MyPOST

Become a part of Malaysia's premier post-production association.

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Frequently Asked Questions

What is the main criteria to join MyPOST? +
  • You must have at least a minimum of 2 years working in the film or television industry in Malaysia or abroad, in the post-production department.
  • A Malaysian Citizenship (Foreigners working in Malaysia are welcome to join as Associate Member).
  • Film Students can also join us as Associate Members.
Do I still need to be assessed by the committee members? +

In principle, we will look into your CV and experiences; however, you still need to go through an "online interview" process before you are eligible to be a member of MyPOST. This is our standard procedure.

What are the membership fees? +
  • Full Member: RM100 (Renew at RM50 yearly)
  • Associate Member: RM80 (Renew at RM30 yearly)

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